Black 47 After Hours (2021), Some Very Special Invited Guests Interpret the Music of Black 47; "Nothing Ventured Nothing Gained"



Photo courtesy of EMI/Black 47

To celebrate the band's 30th anniversary, Black 47 have released a superb tribute featuring seven guest artists who each recorded their choice of Black 47 song. Just one problem, leader Larry Kirwan disbanded Black 47 five years ago after they celebrated their 25th anniversary as a band. They had recorded a final album and gone out on a highly successful farewell tour with the last show broadcast live on the radio. 

Fast forward to 2021. Even as a long term listener to Kirwan's Sirius XM radio program Celtic Crush, After Hours came as a bit of a surprise. Kirwan recently played the Screaming Orphans' version of "Sleep Tight in New York City," and while I was tracking that down I made the happy discovery of After Hours. When I asked Kirwan about the genesis of the briliant concept and execution, he replied: "The concept came from Pete Walsh of The Gobshites and Jon Birgé of Valley Entertainment. I merely suggested some of the artists." 

I'm liking all seven of the tracks on this EP, especially the songs by Celtic Cross, Screaming Orphans, and The Gobshites. Kathleen Fee and her band Celtic Cross do a phenomenal job with "40 Shades of Blue" to start the record. Check out the video below.

If you are a regular listener to Kirwan's program, you'd probably know the voice of longtime friend Pat McGuire and when you hear his "Too Late To Turn Back," you'll know it's him without even having to check the credits. This one sounds almost like progressive Celtic rock. It strikes me as the kind of song that doesn't reveal all its secrets the first or second time through, sounding better and better over time.

On track 3, the Screaming Orphans exquisite version of "Sleep Tight In New York City" may be my favorite tune on the record. According to Kirwan, Screaming Orphans appeared on four or five tracks of the Black 47 album Bankers and Gangsters. They apparently chose their name to be the opposite of the reality that they are four sisters from Ireland. Their gorgeous vocals are partially responsible for one of the most compelling songs on After Hours. Kirwan went on to say "I love their version. It's great to hear the woman's side of the story. They are from Donegal so it's a perfect fix [sic]. The idea for that choice came from Staten Island Tom Marlow. The full story of that song and why the two lovers can't "connect" can be got from reading my novel, Rockin' The Bronx which was inspired by the song. I guess it's a Donegal/Bronx story." 


Photo courtesy of Screaming Orphans

Another track that I'm loving is The Gobshite's "Living In America." It sounds like the centerpiece of After Hours and not just because it's track 4. It sounds somewhat biographical (for Kirwan) and interestingly, the lyrics offer the guy and girl points of view while The Gobshites provide the corresponding vocals. The Gobshites seem like Boston's answer to Black 47. They describe their music as Celtic punk. Leader Pete Walsh has surrounded himself with a number of configurations, they now are taking an acoustic approach. With "Living In America" The Gobshites have made a track that you can't get out of your head, in the best possible way. 

According to Kirwan, "Each artist was encouraged to interpret the songs - but not necessarily to imitate them. So, they had a lot of freedom." On "Desperate," Rory K. (Larry's son) does precisely that. It's a new version, but it still rings true to the spirit of Black 47's original. 

Gary Óg, from Glasgow, Scotland and a disciple of singer-songwriters like Bob Dylan, Christy Moore, etc., turns in a fine version of "James Connelly." I couldn't help noticing the wee lyric change on the cover version. The few times that the original refers to "the working man"  Óg changes that to "the working class," which is consistent with the rest of the song. Although the distinction is close enough for rock and roll, it's worth noting that  Óg's cover is now gender neutral. Like Black 47, Óg shares a penchant for songs political. 

Martin Furay closes the EP with a most imaginative take on "Rockin' the Bronx" that puts the punk in Celtic punk, reminiscent of Ian Dury and the like. 

About the song selectons, Kirwan said, "... Kathleen Fee from Celtic Cross and Pete Walsh from The Gobshites are old and dear friends. They knew exactly what songs they wanted. In fact each of the artists on the EP was adamant about their choice. And they were right."

 This EP is but the first installment of the After Hours project. Kirwan explained, "Yes, there will be 3 other EPs of roughly 6-7 songs each. My guess is that the next one will be for September and then we'll see when the third one will be."

The more I listen to After Hours the more I am liking it in its entirety. What that says is that these artists have done an outstanding job interpreting the songs of Black 47. They also shine a spotlight on some great material, which we kind of knew. I'm seriously looking forward to the next one.

Watch the Celtic Cross video for "40 Shades of Blue"

Larry Kirwan has not exactly been sitting on his arse since 2016 when the group disbanded. At any given time, Kirwan has a number of active creative projects brewing, be they broadcast, musical, theatrical or literary. Recently, Kirwan released his latest novel, "Rockaway Blue." Here is a preview.

Song list: Click on song name to listen

  1. “Forty Shades of Blue” Celtic Cross
  2. “Too Late To Turn Back”  Pat McGuire
  3. “Sleep Tight in New York City” Screaming Orphans
  4. “Livin' in America” The Gobshites
  5. “Desperate” Rory K 
  6. “James Connolly” Gary Óg
  7. “Rockin' The Bronx” Martin Furey
Black 47 Website 
Black 47 / Celtic Crush Newsletter - Request by emailing blk47@aol.com

Comments

Post a Comment

Popular posts from this blog

Remembering the Main Point, 1964 - 1981

Image
WXPN Most Memorable Musical Moment #5 Begining in 1964, The Main Point in Bryn Mawr provided the Philadelphia area with one of its most enjoyable venues for live music. Although it started as a folk based coffeehouse, all styles of music were presented over the years. Financial problems continually plagued the Main Point, and in spite of frequent benefit shows by artists who loved the place as much as the audience, the club finally closed in 1981. The following brief history is contained in an obituary of Jeanette O. Campbell, one of the founders and owners of the Main Point who died on October 22, 2006, written by Philadelphia Inquirer Staff Writer Sally A. Downey as reprinted on the Save Ardmore Coalition website. Jeanette Orndoff Campbell, 89, former owner of the Main Point, a music hall in Bryn Mawr where young talents including Bruce Springsteen, Jackson Browne, Bonnie Raitt and James Taylor were introduced to local audiences, died of complications from hip surgery Oct. 22 at Stap...
Read more

Cream and Blind Faith at the Spectrum, Philadelphia, 1968 & 1969

Image
WXPN Most Memorable Musical Moment #3 (L-R) Jack Bruce, Ginger Baker, & Eric Clapton I could not have foreseen it at the time, but looking back on a concert going history now entering it's fifth decade, my first three concerts were absolutely formative in the development of the music obsession that has driven life as we know it from that point forward. Attending a rock concert pre drivers license was no small feat, that I even got to these shows is the first indication that I knew I was onto something even if I couldn't quite explain it. I've already detailed my first concert (The Beatles at JFK Stadium) in my MMMM#1 . My second and third concerts took place at the Spectrum in Philadelphia, they were less than a year apart, and due to the fact that concerts never end at the time predicted, these concert experiences both ended with a very angry driver stuck waiting in the car outside the venue until the last encore had finished. I shot both concerts with the same starter...
Read more

And We Danced - Filming the Hooters Video, 7/27/85

Image
WXPN Most Memorable Musical Moment #4 "And We Danced" (picture sleeve above) was released in 1985 as the second single from the album, Nervous Night , the Hooters' major label debut for Columbia Records. Here's the video. The call went out to the Hooters' mailing list the last week of July 1985 that an audience with cars would be needed on the coming Saturday for a video shoot. Participants would report to the Exton Drive-In by late morning and be prepared to stay all day until after dark. This stage set, early in the day, was a warm-up for the crowd and probably a dry run for the production team for the night-time performance to be filmed later. The banner backdrop does not appear in the video. Some of the antique and custom cars that were on hand for the shoot. The production crew prepares the ticket booth for its shot. This is the film crew shooting the acoustic intro part of the song. The acoustic intro was shot twice, first with t...
Read more