Julian Peterson - Rockwood Music Hall, 7/10/09



One of the really cool things about the Rockwood Music Hall and the Living Room, is that when you come to see someone, you often get to hear someone new, playing in the hour immediately before or after the person you came to see. Last night depsite some craziness on the Jersey turnpike on the way to Shayna Zaid's 8pm show, an early arrival at Rockwood enabled seeing a complete set by Julian Peterson in the 7pm hour. Julian has two very cool looking guitars and plays them exceptionally well. His set was good sounding, mostly original material drawn from his self-released album Get On This Train.

Listen to "Hold On"


Cover songs can tell you a lot about an artist; what they choose to play and how they choose to play it can speak volumes and give the audience a reference point from which to interpret the rest of the artist's music. Such was they case last night when Julian pulled out a cover of John Lennon's "Jealous Guy" singing it "in the style of Donny Hathaway". The last time I heard someone do the Donnie Hathaway verson of "Jealous Guy", it was Chrissi Poland on John Lennon tribute night at the Long Island City Bar last December. If Julian's respect for the elders of soul and blues wasn't immediately clear to the Rockwood audience, this gem of a cover put a nice point on it.



Listen to "Footprints"


According to his myspace, Julian's band is normally a trio, with Julian on guitar and vocals, Andrew Perusi on bass, playing the upright last night, and Nick D'Agonstino on drums. In addition to the trio, last night Cian McCarthy guested on keyboards, reprising the same role he played in the recording of Julian's record.


Buy Get On This Train at CD Baby.

Julian Peterson's website.
Julian Peterson's myspace.

Comments

Post a Comment

Popular posts from this blog

Remembering the Main Point, 1964 - 1981

Image
WXPN Most Memorable Musical Moment #5 Begining in 1964, The Main Point in Bryn Mawr provided the Philadelphia area with one of its most enjoyable venues for live music. Although it started as a folk based coffeehouse, all styles of music were presented over the years. Financial problems continually plagued the Main Point, and in spite of frequent benefit shows by artists who loved the place as much as the audience, the club finally closed in 1981. The following brief history is contained in an obituary of Jeanette O. Campbell, one of the founders and owners of the Main Point who died on October 22, 2006, written by Philadelphia Inquirer Staff Writer Sally A. Downey as reprinted on the Save Ardmore Coalition website. Jeanette Orndoff Campbell, 89, former owner of the Main Point, a music hall in Bryn Mawr where young talents including Bruce Springsteen, Jackson Browne, Bonnie Raitt and James Taylor were introduced to local audiences, died of complications from hip surgery Oct. 22 at Stap
Read more

Cream and Blind Faith at the Spectrum, Philadelphia, 1968 & 1969

Image
WXPN Most Memorable Musical Moment #3 (L-R) Jack Bruce, Ginger Baker, & Eric Clapton I could not have foreseen it at the time, but looking back on a concert going history now entering it's fifth decade, my first three concerts were absolutely formative in the development of the music obsession that has driven life as we know it from that point forward. Attending a rock concert pre drivers license was no small feat, that I even got to these shows is the first indication that I knew I was onto something even if I couldn't quite explain it. I've already detailed my first concert (The Beatles at JFK Stadium) in my MMMM#1 . My second and third concerts took place at the Spectrum in Philadelphia, they were less than a year apart, and due to the fact that concerts never end at the time predicted, these concert experiences both ended with a very angry driver stuck waiting in the car outside the venue until the last encore had finished. I shot both concerts with the same starter
Read more

And We Danced - Filming the Hooters Video, 7/27/85

Image
WXPN Most Memorable Musical Moment #4 "And We Danced" (picture sleeve above) was released in 1985 as the second single from the album, Nervous Night , the Hooters' major label debut for Columbia Records. Here's the video. The call went out to the Hooters' mailing list the last week of July 1985 that an audience with cars would be needed on the coming Saturday for a video shoot. Participants would report to the Exton Drive-In by late morning and be prepared to stay all day until after dark. This stage set, early in the day, was a warm-up for the crowd and probably a dry run for the production team for the night-time performance to be filmed later. The banner backdrop does not appear in the video. Some of the antique and custom cars that were on hand for the shoot. The production crew prepares the ticket booth for its shot. This is the film crew shooting the acoustic intro part of the song. The acoustic intro was shot twice, first with t
Read more