Svetlana & The Delancey Five At Joe's Pub, NYC, Saturday 3/04/2017; Swing for Spring – A Birthday Celebration!




Early last Saturday, I posted this: "I'm excited to see Svetlana & The Delancey Five tonight at Joe's Pub. If you're in the New York area, there are only a few tickets left and you must see this delightful singer and her amazing band. I don't see how music can get any better than this." Within about three minutes at Joe's Pub, I answered my own rhetorical question. The only thing better than the music on the debut LP by Svetlana & The Delancey Five might be hearing it live. No matter how good a recording may be, even a live one, there is no substitute for being right there in the moment to experience a great singer and band. There's nothing else quite like it.

Svetlana & The Delancey Five were in fine form for her birthday show Saturday night, March 4th at Joe's Pub. This is one of the best venues in New York, in that it's small and intimate, with excellent lighting and sound. Svetlana voice was clear, true, and strong. The band was tight, loose, and played some superb solos.

The opener was an instrumental, "Bernie's Tune", a jazz standard written by Leiber and Stoller with Bernie Miller (hence the name). Svetlana followed with the first of five songs that she drew from her debut album Night at the Speakeasy, which I included in my top 10 list of Best Music of 2016. "Sometimes I'm Happy" was the first such song, a totally delightful standard: "Sometimes I love you, sometimes I hate you / But when I hate you it's 'cause I love you." It was also a pleasure to hear "It's All Good" and "Lady Be Good", the latter also featured tap dancer DeWitt Fleming Jr. who, at one point, seemed to duet with the drum solo. I had momentarily forgotten that Svetlana had done a Beatles' cover on the album, so when she said that the next song would take her to Liverpool and New Orleans, I was pleasantly surprised by the New Orleans-style treatment of "Because" from the Beatles Abbey Road, so good. The fifth song from Night at the Speakeasy was the encore, and we will get to that shortly.

There were two new originals, which got their world premiere at the show. "Baby I'm Back" featured a horn arrangement with piano, including a piano solo. The song's two best features are the melody (by Svetlana and Ryan Shea Smith) and lyrics (by Svetlana). I knew I liked it when I first heard it; with repeat listens to the video, my appreciation only grows. The other new song was "It Is You" (music by Svetlana / Ryan Shea Smith + lyrics by Svetlana). Both her introduction and the song itself was so sweet, sincere, and tuneful you could not help but fall in love with it. These new songs are so good that I can not wait for the second album.

In addition to the opener, there were three more cover songs not from the record, and they were all great to hear. The full house at Joe's Pub was treated to some fine genre bending on the "Tennessee Waltz", a country standard written by Redd Stewart and Pee Wee King, which got an uptempo horn arrangement with some swinging solos on sax, trombone, and trumpet. "Pure Imagination" was sweet in more ways than one. The song was written by Leslie Bricusse and Anthony Newley for the original version of the movie Willy Wonka & the Chocolate Factory; it was sung by Gene Wilder in the film. The Irving Berlin standard "Blue Skies" closed the show, complete with solos from Michael Hashim on sax, Charlie Caranicas on trumpet, Corey Wallace on trombone, William Test on piano, Endea Owens on upright bass, and Robert Garcia on drums (who also duetted again with Fleming on tap). Oh, and the exuberant vocals were by Svetlana.

The band returned to the stage minus Owens and her bass (who had to leave after "Blue Skies"). I really enjoyed Svetlana's subtle sense of humor when she introduced her last song, "You Are Like A Song", sung in Russian. "...For those of you who don't speak Russian ...yet." This beautiful song capped off an excellent set by Svetlana & The Delancey Five. I had been wanting to get up to New York to see this group play live for a long time, and I am quite glad that the birthday show at Joe's Pub presented an opportunity that I could not pass up.

Many thanks to Svetlana Shmulyian for the setlist, musician credits, and for an incredible night.
Many thanks to YouTube user WANDERMIND for the videos of tracks 3, 5, and 6.
Many thanks to Bev Kates for camera work and to Lindsey Mitchell for video production on tracks 7-11.
Whatever these videos lack in sound quality, they more than make up for with live energy.

Watch "Baby I'm Back", live at Joe's Pub.


Set List: Click song name to watch.
1. Instrumental - Bernie's Tune
2. Sometimes I'm Happy - Arranged by Adrian Cunningham (from Night at the Speakeasy album)
3. It's All Good - m/l Svetlana Shmulyian, arranged by Wycliffe Gordon (from Night at the Speakeasy album)
4. Lady Be Good - with special guest on tap dancing, DeWitt Fleming Jr. - arranged by Rob Garcia (from Night at the Speakeasy album)
5. Baby I'm Back - new original - music Svetlana Shmulyian / Ryan Shea Smith + lyrics by Svetlana Shmulyian, arranged by Jay Rattman
6. Because (the Beatles) - arranged by Rob Garcia (from Night at the Speakeasy album)
7.Tennessee Waltz - arranged by Rob Garcia
8. Pure Imagination - arranged by Rob Garcia
9. It Is You - new original m/l by Svetlana Shmulyian and Ryan Shea Smith, arranged by Wycliffe Gordon
10. Blue Skies - with special guest on tap dancing, Dewitt Flemming Jr , arranged by Svetlana Shmuylian and Seth Weaver
11. You Are Like A Song - Eddie (Ady) Rosner (from Night at the Speakeasy album)

Svetlana & The Delancey Five - Night at the Speakeasy
Buy at Amazon
Buy at iTunes
Stream on Spotify







Svetlana & The Delancey Five Website
Svetlana & The Delancey Five Facebook
Svetlana & The Delancey Five Twitter
Svetlana & The Delancey Five Instagram

Comments

Post a Comment

Popular posts from this blog

Remembering the Main Point, 1964 - 1981

Image
WXPN Most Memorable Musical Moment #5 Begining in 1964, The Main Point in Bryn Mawr provided the Philadelphia area with one of its most enjoyable venues for live music. Although it started as a folk based coffeehouse, all styles of music were presented over the years. Financial problems continually plagued the Main Point, and in spite of frequent benefit shows by artists who loved the place as much as the audience, the club finally closed in 1981. The following brief history is contained in an obituary of Jeanette O. Campbell, one of the founders and owners of the Main Point who died on October 22, 2006, written by Philadelphia Inquirer Staff Writer Sally A. Downey as reprinted on the Save Ardmore Coalition website. Jeanette Orndoff Campbell, 89, former owner of the Main Point, a music hall in Bryn Mawr where young talents including Bruce Springsteen, Jackson Browne, Bonnie Raitt and James Taylor were introduced to local audiences, died of complications from hip surgery Oct. 22 at Stap...
Read more

Cream and Blind Faith at the Spectrum, Philadelphia, 1968 & 1969

Image
WXPN Most Memorable Musical Moment #3 (L-R) Jack Bruce, Ginger Baker, & Eric Clapton I could not have foreseen it at the time, but looking back on a concert going history now entering it's fifth decade, my first three concerts were absolutely formative in the development of the music obsession that has driven life as we know it from that point forward. Attending a rock concert pre drivers license was no small feat, that I even got to these shows is the first indication that I knew I was onto something even if I couldn't quite explain it. I've already detailed my first concert (The Beatles at JFK Stadium) in my MMMM#1 . My second and third concerts took place at the Spectrum in Philadelphia, they were less than a year apart, and due to the fact that concerts never end at the time predicted, these concert experiences both ended with a very angry driver stuck waiting in the car outside the venue until the last encore had finished. I shot both concerts with the same starter...
Read more

And We Danced - Filming the Hooters Video, 7/27/85

Image
WXPN Most Memorable Musical Moment #4 "And We Danced" (picture sleeve above) was released in 1985 as the second single from the album, Nervous Night , the Hooters' major label debut for Columbia Records. Here's the video. The call went out to the Hooters' mailing list the last week of July 1985 that an audience with cars would be needed on the coming Saturday for a video shoot. Participants would report to the Exton Drive-In by late morning and be prepared to stay all day until after dark. This stage set, early in the day, was a warm-up for the crowd and probably a dry run for the production team for the night-time performance to be filmed later. The banner backdrop does not appear in the video. Some of the antique and custom cars that were on hand for the shoot. The production crew prepares the ticket booth for its shot. This is the film crew shooting the acoustic intro part of the song. The acoustic intro was shot twice, first with t...
Read more