Sara Tavares - SOB's, New York City, 6/27/06



Sara Tavares played New York at SOB's (Sound of Brazil) as part of a rare stateside mini tour to promote her new album, Balancê, her third album overall but her first to receive a U.S. release. Tavares is from Portugal and I might never have had the pleasure had not a good friend run across her singing at a club in Lisbon, Portugal some years ago while on vacation there. Music lovers find their way to music all different ways; the person sitting next to me at SOB's became aware of Tavares by seeing her on a program of world music videos on Link TV which is carried on DirecTV (channel 375) and Dish Network (channel 9410).



Tavares' music is hard to label exactly, with a background that includes gospel, funk, and soul as her website describes it, mixing African rhythms into contemporary pop songs. Tavares on her latest album has written all the songs, played many of the instruments and has come up with a beautifully written and great sounding record. In America music like this is likely to get lumped into the "world music" category, but this work has so much more to offer than what that label implies. Tavares is a singer-songwriter of the first order, who has many more musical threads in her weave than your average singer-songwriter.



Tavares opened the show with a tune that consisted only of voice and tapping on her guitar, quickly wowing the audience with the depth and beauty of her voice. Most of her lyrics are in Portugese, but the songs are no less enjoyable for those who don't speak the language. Her second song which she explained was about Lisbon, had drums and bass accompanying her voice and acoustic guitar. It was quickly apparent that Tavares is a great singer with a very strong sense of melody. At this point she said "I call the music that I do, lullabies for adult people" which is an apt description.



She played a song whose Portugese title means "Summer Rain" which was very rhythmic, very melodic, and all her band members sang backup. In addition to the talents already mentioned, Tavares also proved during her 75 minute set to also be a great player of the acoustic guitar. The title track of her album Balancê was rich with rhythm and melody, nice and long in its live version, and a great set ender.



The crowd was a diverse cultural mix and while it was hard to tell to what degree they were familiar with Tavares' music going in, all were thoroughly won over by this excellent performance. Tavares music is unlikely to be heard on the radio here in the states, but she is a great talent and her music is well worth seeking out. Balancê is readily available now at Amazon.com. Remember to click on each photo to enlarge. All photos © W.Kates, 2006.


Sara Tavares - Balancê (2006)

Malika Zarra opened the show with a lovely set of Moroccan flavored jazz, with the vocals at times sounding reminiscent of Flora Purim's work with Return to Forever. Zarra was born in Morocco, grew up in France, and now calls New York home.



Her website describes her music: "Her first album On the Ebony Road blends her rich and divers worlds, mixing Moroccan roots music, Berber, Gnawa, Pop and rhythms with jazz. It is an explosive work fusing orient and occident in English, French and Arabic."



There weren't many lyrics in English but the music sounded jazzy and joyous nonetheless. She proved to be a great choice to share the bill with Sara Tavares and the crowd responded in kind. Remember to click on each photo to enlarge. All photos © W.Kates, 2006.


Malika Zarra - On the Ebony Road (2006)

Comments

Post a Comment

Popular posts from this blog

Remembering the Main Point, 1964 - 1981

Image
WXPN Most Memorable Musical Moment #5 Begining in 1964, The Main Point in Bryn Mawr provided the Philadelphia area with one of its most enjoyable venues for live music. Although it started as a folk based coffeehouse, all styles of music were presented over the years. Financial problems continually plagued the Main Point, and in spite of frequent benefit shows by artists who loved the place as much as the audience, the club finally closed in 1981. The following brief history is contained in an obituary of Jeanette O. Campbell, one of the founders and owners of the Main Point who died on October 22, 2006, written by Philadelphia Inquirer Staff Writer Sally A. Downey as reprinted on the Save Ardmore Coalition website. Jeanette Orndoff Campbell, 89, former owner of the Main Point, a music hall in Bryn Mawr where young talents including Bruce Springsteen, Jackson Browne, Bonnie Raitt and James Taylor were introduced to local audiences, died of complications from hip surgery Oct. 22 at Stap...
Read more

Cream and Blind Faith at the Spectrum, Philadelphia, 1968 & 1969

Image
WXPN Most Memorable Musical Moment #3 (L-R) Jack Bruce, Ginger Baker, & Eric Clapton I could not have foreseen it at the time, but looking back on a concert going history now entering it's fifth decade, my first three concerts were absolutely formative in the development of the music obsession that has driven life as we know it from that point forward. Attending a rock concert pre drivers license was no small feat, that I even got to these shows is the first indication that I knew I was onto something even if I couldn't quite explain it. I've already detailed my first concert (The Beatles at JFK Stadium) in my MMMM#1 . My second and third concerts took place at the Spectrum in Philadelphia, they were less than a year apart, and due to the fact that concerts never end at the time predicted, these concert experiences both ended with a very angry driver stuck waiting in the car outside the venue until the last encore had finished. I shot both concerts with the same starter...
Read more

And We Danced - Filming the Hooters Video, 7/27/85

Image
WXPN Most Memorable Musical Moment #4 "And We Danced" (picture sleeve above) was released in 1985 as the second single from the album, Nervous Night , the Hooters' major label debut for Columbia Records. Here's the video. The call went out to the Hooters' mailing list the last week of July 1985 that an audience with cars would be needed on the coming Saturday for a video shoot. Participants would report to the Exton Drive-In by late morning and be prepared to stay all day until after dark. This stage set, early in the day, was a warm-up for the crowd and probably a dry run for the production team for the night-time performance to be filmed later. The banner backdrop does not appear in the video. Some of the antique and custom cars that were on hand for the shoot. The production crew prepares the ticket booth for its shot. This is the film crew shooting the acoustic intro part of the song. The acoustic intro was shot twice, first with t...
Read more